Charlize Althea Garcia 
The LA Opera approaches the end of their season with tragedy and ‘Tosca’
By Charlize Althea Garcia, Dec. 6, 2022 The LA Opera 2022 season came to ...
Review: The LA Philharmonic bridges the musical world with pieces from Ortiz and Mahler.
By Charlize Althea Garcia, Oct. 18, 2022 The Los Angeles Philharmonic and conductor, music and ...
Modernity in our eyes, tradition to our ears: LA Opera takes a contemporary approach to ‘Lucia di Lammermoor’
By Charlize Althea Garcia, Sept. 27, 2022 LA Opera commenced their season with the premiere ...
Making all the right noises: Dudamel conducts ‘The Rite of Spring’
By Charlize Althea Garcia, May 17, 2022 Dudamel and the Los Angeles Philharmonic took ...
Review: Beethoven’s Fidelio revived by Gustavo Dudamel and the Deaf West Theatre for both the hearing and deaf audiences
By Charlize Althea Garcia, Apr. 26, 2022 The Walt Disney Concert Hall featured the ...
Review: The LA Philharmonic plays Pärt, Barber, and Dvořák featuring soloist Hillary Hahn.
By Charlize Althea Garcia, Apr. 12, 2022 The Los Angeles Philharmonic is back with ...
Review: What Would Bach Do? The LA Opera tells the story of Jesus Christ.
By Charlize Althea Garcia, Mar. 22, 2022 Following an unpredictable year, the Los Angeles ...
Review: The LA Opera retells the Cinderella story
By Charlize Althea Garcia, Dec. 7, 2021 After postponing the show for a year ...
Review: Dudamel says farewell to LA with Mahler, Mackey, and Montgomery before launching world tour
By Charlize Althea Garcia, Nov. 16, 2021 The Los Angeles Philharmonic got back into ...
