By Ami Medina, Nov. 19, 2024
In the vibrant world of theater, set design plays a crucial role in bringing stories to life and immersing audiences in the emotional and thematic essence of a production.
One such talent in this realm is Bernice Lopez, a senior at Cal Poly Pomona majoring in theater with an emphasis on design and technical production.
With her unique background and creative vision, Bernice Lopez is poised to make a significant impact through her work on the upcoming CPP Department of Theatre and New Dance production of “We Are Pussy Riot or Everything Is P.R.” directed by Bernardo Solano.
Bernice Lopez’s journey into theater began with a different vision; she initially pursued a degree in landscape architecture. However, it didn’t take long for her to realize this path didn’t align with her creative aspirations.
“Landscape architecture was just not my creative pursuit,” Bernice Lopez said.
Recognizing the importance of passion over financial security, Bernice Lopez made the bold decision to switch majors.
By transitioning into scenic design, she found her true calling — one that not only challenges her creatively but also brings her immense joy.
As the sole set designer for “We Are Pussy Riot, or Everything Is P.R.,” Bernice Lopez is responsible for creating a multifaceted environment that expresses the revolutionary spirit of the play.
“The play is about a group of girls who are in a band and revolt against the economy and politics in Russia,” Bernice Lopez said.
The narrative centers around the Russian all-female band Pussy Riot, who gained notoriety in 2010 for their bold protests against the oppressive political regime in Russia.
“The play is based on a true story,” said Meleena Lopez, a theater student at CPP and an actress in the play. “I would say the main themes would be girl power and overcoming patriarchy.”
Working on this project since the previous spring, Bernice Lopez has had time to conceptualize a set that resonates with the play’s themes, but the demands presented unique challenges, particularly when it comes to scene changes and set transitions.
“I have to squeeze in three locations on a small stage: a courtroom, a jail cell and a public space in Russia which can get tricky,” Bernice Lopez said.
To effectively convey the narrative, she has devised a strategy for swift transitions called “scene changes” to ensure the audience remains engaged.
Additionally, she creatively incorporates key elements like stained-glass windows that serve both aesthetic and thematic purposes, subtly guiding the audience’s understanding of the play’s core message.
The lead painter on the set Darcy Egebakken said that designers have to do excessive research to visualize the play.
“Not only including stuff the actors need, but Bernice created an immersive feeling of the story and brought it to life,” Egebakken said.
One of the most rewarding aspects of Bernice Lopez’s role is the collaboration with the actors.
Throughout the rehearsal process, Bernice Lopez shared her designs with the cast, allowing them to visualize how they can interact with the set.
“I love getting their opinions on what they see and feel surrounded by the set,” Bernice Lopez said, emphasizing the importance of comfort and authenticity in performance.
This partnership fosters an environment where actors can fully immerse themselves in their roles.
“As an actress working on this play, Bernice has done this amazing scenic design,” Meleena Lopez said. “Her designs are very literal and abstract.”
Budget constraints have also posed challenges for Bernice Lopez.
“There are a lot of set pieces that I can’t get because of budget restraints,” Bernice Lopez said. “You start big and have to cut down to find the right amount of what you want.”
This necessity for adaptation has only enhanced her problem-solving skills as a designer. The stained-glass windows — while essential — required meticulous planning, further illustrating her dedication to the craft.
Before and after opening weekend, Bernice Lopez is eager for audiences to continue experiencing the world she has created.
“I would say that this is a show beyond the world that we know, exploring a totally different aspect of reality,” Bernice Lopez said. “It’s definitely worth the watch and a chance to see the creative process behind it.”
The production continues through Nov. 24, and with Lopez at the helm of set design, it promises to be a visually captivating and thought-provoking experience that highlights the power of art in challenging societal norms.
Feature image courtesy of Chelsea Renee Sutton